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by 6Dn2zDGGbHH5
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2015-12-02 The remarks were untaofunrte, to be sure. But, it seems fair to wonder if "art ***oggers" are attempting to become another element of art esta***ishment.It is true that there are many things in the art world that need to change, -and at their best, some art ***ogs make reasoned and poignant criticisms of these areas. But I think the world of art ***ogging should remain a far more open playing field than the brick and mortar art world of galleries and museums.Sharon Butler's post yesterday on #class raised some interesting questions, and from this discussion (as well as the current topic at hand), one has to ask if there is some inherent distinction between art ***oggers as pundit-like artist/writers and those artists who keep regular studio ***ogs. In no way do I mean disrespect to your studio practice or work, or anyone else who chooses designate themselves an art ***ogger. I enjoy this ***og as well as many others. But there is an emerging hierarchy, and I'm simply asking if this is a good thing. Is this the intention and purpose?I ran a studio ***og for 3 years, which I just shut down largely out of frustration with media overload, but also (as Winkleman alludes to in his response) out of feeling I was speaking to air. Perhaps this microcosm provokes larger questions about ***ogging as participatory media versus ***ogging as human interaction and the active exchange of ideas. Which is better? I honestly don't have that answer. Nonetheless, I would caution the shift of course toward the former, because I see it as an important, -if increasingly subtle distinction. Let's take our work and art seriously, but let's maintain a sense of humor about ourselves. (And by all means let's cease the fascist, Nazi, Hitler and communist name-calling as a knee-jerk response to things we disagree with).
by 0rsxAceThd

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